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La Mise en Abîme by Romain Crelier



Entitled La Mise en Abîme, the mesmerising installation comprises two large, extremely precise and impeccably finished receptacles in which vast quantities of used oil are contained. Shaped like giant puddles, the sculptures with their shiny, and lacquer surfaces reflect the surrounding, allowing the viewers to interact with the architecture of the church by being pulled into the reflection so that they, in turn, become part of the sculpture itself. 


The installation not only dispenses multiple visual thrills and mysteries but also offers a moment where sculpture creates another reading of space.






















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