Ceramicist Christopher David White (previously) accurately captures the decay of wood through ceramics, portraying the distinct character of the natural material from the fine wood grain to the light ash coloration at the pieces’ edges. By utilizing a trompe l’oeil technique, White forces the viewer to take a closer look at his work while also investigating the truth hidden in the hyperrealistic sculptures.
Through his ceramic pieces White explores the reality of impermanence, often combining man and nature through treelike limbs and faces. “I seek to expose the beauty that often results from decay while, at the same time, making my viewer question their own perception of the world around them,” explains White. He hopes to highlight the fact that we are not separate from nature, but rather intrinsically connected to it.